Charlotte Canelli is the library director of the Morrill Memorial Library in Norwood, Massachusetts. Read Charlotte's column in the September 12, 2019 edition of the Transcript & Bulletin.
I was a rising high school senior in the summer of 1969. Far
away from Bethel, NY, on the coast of California, I never even knew Woodstock
was on the horizon. We all read newspapers and magazines and watched the nightly
news. So we knew that something momentous happened on a muddy farm 3,000 miles
to the east. Something terrifyingly huge, slightly obscene, and wickedly
defiant had ignited while I lived my mini-skirted, innocent,
bleach-blonded summer among the dry grasses of Northern California.
Woodstock, like most unexpected events, might not have
occurred, had the stars not aligned. Two young guys, 24-year old Michael Lang,
and 26-year old Artie Kornfeld had an idea for a Studio-in-the Woods north of New
York City. Kornfeld was already a vice-president at Capitol Records, but he and
Lang needed financial backing. Enter two other young guys in their
mid-twenties, entrepreneurs Joel Rosenman and John Roberts. Roberts was an heir
to the Polident/Poli-grip fortune, and Rosenman was Roberts' good friend with a
musical background. They had met on a golf course and were apartment mates in
New York City. The two described themselves as "young men with unlimited
capital."