Last fall, when I wrote “Life after the Serial Podcast” which was published in the library’s September 16, 2016 newspaper column, it was long after any spoiler-alerts needed to be issued. Most interested people were familiar with the story. They has listened to it, had read about it, or had endured their friends discussing it, ad nauseam. The library had a listening program for all twelve-episodes in the fall of 2016. Rabia Chaudry’s book about the story of two Baltimore star-crossed lovers, Adnan’s Story, was already on the book store and library shelves.
The first season of Serial popularized all podcasts. Podcast listenership grew by 23% between 2015 and 2016 and popularity of the medium continues to explode. I have about three-dozen podcasts in my feed at any one time and I listen to podcasts daily. Among my favorites are Alec Baldwin’s Here’s the Thing, the New Yorker Radio Hour and Ted Radio Hour. I was briefly addicted this past winter to a five-episode shocker, Missing Richard Simmons. I never miss a segment of WBUR’s collaboration with the New York Times’ called Modern Love. I even have a podcast I listen to when I can’t sleep. Sleep With Me is purposely dull and meandering and practically guaranteed to bore you into dreamland.
Serial, seasons one and two, were produced by Sarah Koenig, a spin-off of the public radio broadcast This American Life. When we podcast junkies heard that Sarah Koenig (Serial) and Ira Glass (This American Life) were producing yet another possibly-mesmerizing series, we waited eagerly for it to be released this past week. When S-Town hit the Internet on March 28, all seven episodes were available at once.
I’d hit another podcast-binge jackpot.
There are no spoilers in this column other than to encourage you to bravely listen to S-Town. This story of clockmaker, gardener, chemist, and savant, John B. McLemore will mesmerize you. S-Town, like Serial, is a spectacularly well-produced podcast but it is not for the faint of heart. There is shocking language, more than enough sadness, multiple twists and turns, and dozens of opportunities to travel down online rabbit holes in a search of answers.

Many of us read Shirley Jackson’s “The Lottery” in high school or college. It is a creepy story, like many of Jackson’s writings. She is the author of one the best ghost stories ever written, The Haunting of Hill House (1959), which was made into an even creepier movie in 1963 (an another in 1999.)
“The Renegade” is included in a Shirley Jackson collection just published in 2016 in The Lottery and Other Stories. That book can also be found on audio in our streaming service, Hoopla! I easily downloaded it and enjoyed listening to the dramatic reading. The “renegade”, I found out, is the family dog who has been chasing and killing chickens in the neighborhood. The Renegade is eerily similar to Jackson’s short story, “The Lottery”. Her protagonist in “The Renegade” is Mrs. Walpole who finds that her family and neighbors have little sympathy for a chicken-killing dog.


The stories John B. McLemore gives as reading assignments add one more dimension to haunting story of a man whose life was enriched by the smell and beauty of a 300-foot long hedge of roses he has planted on his beloved land in the town he hates, Woodstock, Alabama.